When I play solo gigs, I want my backing track and my loops in one box at my feet, so I can drop the laptop and still sound like a band.
“I think we should build objects of desire. And if we are in that business, we’ll never be out of a job.”
For Tidewater, the object of desire is the moment a player first hears their favourite song without its guitar, at gig volume. Design for those ten seconds and the spec sheet follows.
Who buys
Working solo and duo guitarists playing pubs, weddings and covers sets. Typically owns 4 to 8 pedals and already uses a basic looper.
What they do today
Run backing tracks from a phone or laptop into the PA, plus a separate looper. Two devices, two volume controls, no sync between them.
Why now
Phone-based stem separation is now good enough to pull a usable drum and bass part out of a finished song in seconds.
The sharp edge
Looping and backing tracks are already solved separately. The value is entirely in joining them and keeping them in time. If that join feels clumsy, there is no product.